
Benoît Sitzia
French composer and entrepreneur, born in 1990
Following studies of classical guitar and organ, Benoît Sitzia turned to musicology and composition. He was awarded numerous distinctions throughout his studies of analysis and music history/aesthetics, as well as a C.O.P (a vocational degree) in composition, after which he continued his study of composition at the Paris Conservatoire (CNSMDP).
His works have been performed by numerous ensembles in France and abroad, including Ensemble Intercontemporain, Rayuela, Trio Antara, Maîtrise de Radio France, Chromosphère, the Fractales Collective and Ensemble Orchestral Contemporain.
As the president and co-founder of the Collège Contemporain (an organisation uniting composers, performers, ensembles and musicologists), he actively participates in the creation and management of collectives and cooperatives which seek to valorise and publicise creative musical practices, both in France and internationally.
Named Director General of the Ars Nova Ensemble, he is committed to overseeing the continued evolution of this historical institution of contemporary music. His is also active in promoting the performance of new works in France and abroad through his work directing classical and contemporary music festivals associated with the SPEDIDAM Network. Finally, he is Classical Music Director of the Imperial Annecy Festival in Haute-Savoie
An outspoken advocate of the importance of pedagogy and inclusivity, he works tirelessly to attract new, broader audiences to classical and contemporary music events. His work also extends to improving the artistic ecosystem by raising awareness among artists of the tools which exist to support culture. In this respect, with support from the public and private sectors, he founded and supervises the European Creative Academy for Music & Musicians.
© Ircam-Centre Pompidou, 2020
- Solo (excluding voice)
- Résonances verticales for piano (2013)
- Lectio tacita III - Livre des Césures for viola (2018)
- Trope I for harp (2018)
- Trope II for viola (2018)
- Trope III for flute (2018)
- Chant I for baritone saxophone (2019)
- Chant II for alto saxophone (2019)
- Chant III for tenor saxophone (2019)
- Chant IV for soprano saxophone (2019)
- Instants - quatrième image for viola (2019)
- Chamber music
- Figures-Discours for baritone saxophone and cello (2012)
- Figures-Discours for bass clarinet and cello (2014)
- Canto for string sextet (2016)
- Rima II - Livre des Césures for string quartet (2016)
- Fantasmagories arrangement of the piece by Jehan Alain, for saxophone, clarinet and accordion (2017)
- l’agogique du silence for saxophone, clarinet and accordion (2017)
- Qui Velatus Facies Fuisti arrangement of the piece by Josquin Desprez, for saxophone, clarinet and accordion (2017)
- ...à un grand oiseau impatient de la lumière for flute, viola and harp (2018)
- La plainte au loin du Faune arrangement of the piece by Paul Dukas, for flute, viola and harp (2018)
- Six épigraphes antiques arrangement of the piece by Claude Debussy, for flute, viola and harp (2018)
- ( ...Des pas sur la neige ) arrangement of Claude Debussy's piece, for flute, viola and harp (2019)
- Instants - cinquième image for clarinet and viola (2019)
- Rayuela for saxophone quartet (2019)
- Instrumental ensemble music
- Nuptial l’essaim multiple for fifteen instrumentalists (2015), Inédit
- ... d’Être se déployer ... for fourteen instrumentalists (2018)
- ircam Echo-Manifeste for ensemble (2019)
- Vocal music and instrument(s)
- Fragment par fragments for saxophone, percussion, viola and mezzo-soprano (2015)
- Weltinnenraum for five instrumentalists, soprano and solo violin (2017)
- Instants for solo soprano, contralto and string ensemble (2019)
- Instants - cinquième image for soprano and viola (2019)
- A cappella vocal music
- Adieu for three-part choir (2013)
- 2019
- ( ...Des pas sur la neige ) arrangement of Claude Debussy's piece, for flute, viola and harp
- Chant I for baritone saxophone
- Chant II for alto saxophone
- Chant III for tenor saxophone
- Chant IV for soprano saxophone
- ircam Echo-Manifeste for ensemble
- Instants for solo soprano, contralto and string ensemble
- Instants - cinquième image for clarinet and viola
- Instants - cinquième image for soprano and viola
- Instants - quatrième image for viola
- Rayuela for saxophone quartet
- 2018
- ... d’Être se déployer ... for fourteen instrumentalists
- ...à un grand oiseau impatient de la lumière for flute, viola and harp
- La plainte au loin du Faune arrangement of the piece by Paul Dukas, for flute, viola and harp
- Lectio tacita III - Livre des Césures for viola
- Six épigraphes antiques arrangement of the piece by Claude Debussy, for flute, viola and harp
- Trope I for harp
- Trope II for viola
- Trope III for flute
- 2017
- Fantasmagories arrangement of the piece by Jehan Alain, for saxophone, clarinet and accordion
- Qui Velatus Facies Fuisti arrangement of the piece by Josquin Desprez, for saxophone, clarinet and accordion
- Weltinnenraum for five instrumentalists, soprano and solo violin
- l’agogique du silence for saxophone, clarinet and accordion
- 2016
- Canto for string sextet
- Rima II - Livre des Césures for string quartet
- 2015
- Fragment par fragments for saxophone, percussion, viola and mezzo-soprano
- Nuptial l’essaim multiple for fifteen instrumentalists, Inédit
- 2014
- Figures-Discours for bass clarinet and cello
- 2013
- Adieu for three-part choir
- Résonances verticales for piano
- 2012
- Figures-Discours for baritone saxophone and cello
Liens internet
- SoundCloud : https://soundcloud.com/beno-t-sitzia
- Site du Collège Contemporain : https://collegecontemporain.org/
(liens vérifiés en juillet 2020).