
Maurilio Cacciatore
Italian composer born in Taranto in 1981.
Maurilio Cacciatore was born in Italy in 1981. He trained with Fabio Cifariello Ciardi at the Conservatorio di Perugia. After studying piano, composition, and electronic music in Italy and Sweden, along with international communication at the University of Perugia, he graduated from the Conservatoire de Strasbourg in 2008 with highest honors in the class of composer Ivan Fedele and won a SACEM composition prize.
In 2009-2010, he particpated in Cursus I (the IRCAM’s composition and computer music course), while completing advanced training with Ivan Fedele at the Accademia Nazionale di Santa Cecilia in Rome, from which he graduated in November 2010 with the jury’s commendation. His aesthetic and compositional ideas have been shaped by encounters with composers such as Michael Jarrell, Georges Aperghis, and Yan Maresz, and performers such as Armand Angster and Mario Caroli.
Following a performance of his music at the Siren Festival of the University of Gothenburg, Sweden, Cacciatore’s music has been performed in many European countries as well as the United States, South Korea, Japan, and Australia. In 2006, Maurilio Cacciatore was a finalist in the Seoul International Music Competition (South Korea), and the American group Vox Novus selected his composition for a concert series. In 2009, Yakamoz, for piano, won the Povoletto International Composition Competition in Udine, Italy. That same year, Stesso Obliquo for flute vibraphone was a selection of the Egidio Carella Composition Competition. Cacciatore was also awarded the Goffredo Petrassi Composition Prize from the President of the Republic of Italy.
His compositions have been commissioned and supported by major institutions such as the Accroche Note, the Arsenale, the SACEM, the Pomeriggi Musicali Foundation in Milan, and the Artefacts ensemble. In 2008, Les Voix de Strass, conducted by Catherine Bolzinger, recorded his Due Anfibi, for twelve amplified voices. Kyrie was selected by the Fondation Royaumont for the Voix Nouvelles 2010 composition session, where it was premiered by Les Cris de Paris and the Linea Ensemble. The sound installation Apparaître, disparaître, se cacher also premiered there in September 2011. Cacciatore returned to the IRCAM to complete the Cursus II in 2011, where he composed Concerto for MIDI keyboard, ensemble, and electronics, which was premiered by the Ensemble intercontemporain in October 2011. Tamonontamo, commissioned by Les Cris de Paris, premiered at ManiFeste at the IRCAM in June 2012.
As a musicologist, Cacciatore lectures at the Fonoteca Umberto Trotta di Perugia, the Valentino Bucchi Foundation in Rome, the Johannes Gutenberg University of Mainz (Germany), and the University of Seoul, South Korea. He is one of the founders of the Ensemble L’imaginaire of Strasbourg. He teaches composition at the Conservatorio Nicola Sala in Benevento, Italy. His first compositions were published by Arspublica, and, starting in 2010, by Edizioni Suvini Zerboni.
Sources
Maurilio Cacciatore.
- Solo (excluding voice)
- Yakamoz for piano (), 15 mn
- elec Tre lacrime for amplified soprano saxophone (2007), 10 mn, Ars Publica [program note]
- Toccatina for harpsichord (2008), 4 mn 50 s, Ars Publica
- elec ircam Concertino for clarinet and electronics in eight micro-movements (2010), 7 mn 15 s, Suvini Zerboni [program note]
- Due Studi for piano (2010), between 8 mn and 14 h 59 mn 51 s, Suvini Zerboni [program note]
- elec ircam IV Anfibio for amplified flute (2011-2012), 12 mn, Suvini Zerboni [program note]
- Chamber music
- Deux jeux avec la lumière for bass clarinet, cello and piano (2006), 8 mn 20 s, Ars Publica
- Trance for alto flute and cymbalum (2006-2008), 9 mn 23 s, Ars Publica [program note]
- Stesso Obliquo for flute and vibraphone (2008-2009), 9 mn 15 s, Ars Publica
- Flone for flute and trombone (2009-2010), 5 mn 40 s [program note]
- Impuro minimo for violin, cello and piano (2012), 12 mn, Suvini Zerboni [program note]
- Instrumental ensemble music
- Flux de rage for orchestra (2007), 7 mn 32 s [program note]
- Stesso Fragile for eleven instrumentalists (2010), 11 mn 50 s, Suvini Zerboni
- Stesso denso for orchestra (2010-2011), 13 mn 30 s, Suvini Zerboni [program note]
- Concertant music
- Chansons for concertante bass clarinet and four echo instruments (2009), 15 mn about
- Stesso Profondo for concertante bass clarinet and four echo instruments (2009), 3 mn about
- Sette miniature for concert violin, string trio and harp (2009-2010), 11 mn about , Suvini Zerboni
- elec ircam Concerto for MIDI keyboard, ensemble and electronics (2010-2011), 20 mn, Suvini Zerboni [program note]
- Vocal music and instrument(s)
- stage Le goût du jour theatrical action for flute, piano and two actors (2006), 9 mn 20 s [program note]
- elec Terzo anfibio for two sopranos and bass flute (2009), 6 mn 30 s, Ars Publica
- Kyrie for choir and seven instrumentalists (2010), 8 mn 45 s, Suvini Zerboni [program note]
- A cappella vocal music
- elec Due Anfibi for twelve amplified voices (2008-2009), 8 mn, Ars Publica
- elec ircam Tamonontamo for vocal quartet, choir and electronics (2011-2012), 19 mn, Suvini Zerboni [program note]
- Electronic music / fixed media / mechanical musical instruments
- elec Souvenir d’une berceuse for piano and electronics samples (2005), 4 mn 28 s
- elec Agua Antigua for water samples and electronics (2005-2006), 4 mn 20 s
- elec Dithyrambe La naissance de la vigne, sound installation (2008), 3 mn
- elec Apparaître, disparaître, se cacher sound installation (2011), 30 mn, Suvini Zerboni [program note]
- 2012
- elec ircam IV Anfibio for amplified flute, 12 mn, Suvini Zerboni [program note]
- Impuro minimo for violin, cello and piano, 12 mn, Suvini Zerboni [program note]
- elec ircam Tamonontamo for vocal quartet, choir and electronics, 19 mn, Suvini Zerboni [program note]
- 2011
- elec Apparaître, disparaître, se cacher sound installation, 30 mn, Suvini Zerboni [program note]
- elec ircam Concerto for MIDI keyboard, ensemble and electronics, 20 mn, Suvini Zerboni [program note]
- Stesso denso for orchestra, 13 mn 30 s, Suvini Zerboni [program note]
- 2010
- elec ircam Concertino for clarinet and electronics in eight micro-movements, 7 mn 15 s, Suvini Zerboni [program note]
- Due Studi for piano, between 8 mn and 14 h 59 mn 51 s, Suvini Zerboni [program note]
- Flone for flute and trombone, 5 mn 40 s [program note]
- Kyrie for choir and seven instrumentalists, 8 mn 45 s, Suvini Zerboni [program note]
- Sette miniature for concert violin, string trio and harp, 11 mn about , Suvini Zerboni
- Stesso Fragile for eleven instrumentalists, 11 mn 50 s, Suvini Zerboni
- 2009
- Chansons for concertante bass clarinet and four echo instruments, 15 mn about
- elec Due Anfibi for twelve amplified voices, 8 mn, Ars Publica
- Stesso Obliquo for flute and vibraphone, 9 mn 15 s, Ars Publica
- Stesso Profondo for concertante bass clarinet and four echo instruments, 3 mn about
- elec Terzo anfibio for two sopranos and bass flute, 6 mn 30 s, Ars Publica
- 2008
- elec Dithyrambe La naissance de la vigne, sound installation, 3 mn
- Toccatina for harpsichord, 4 mn 50 s, Ars Publica
- Trance for alto flute and cymbalum, 9 mn 23 s, Ars Publica [program note]
- 2007
- Flux de rage for orchestra, 7 mn 32 s [program note]
- elec Tre lacrime for amplified soprano saxophone, 10 mn, Ars Publica [program note]
- 2006
- elec Agua Antigua for water samples and electronics, 4 mn 20 s
- Deux jeux avec la lumière for bass clarinet, cello and piano, 8 mn 20 s, Ars Publica
- stage Le goût du jour theatrical action for flute, piano and two actors, 9 mn 20 s [program note]
- 2005
- elec Souvenir d’une berceuse for piano and electronics samples, 4 mn 28 s
- Date de composition inconnue
- Yakamoz for piano, 15 mn
Lien Internet
- Site du compositeur : http://www.mauriliocacciatore.com (lien vérifié en juin 2012).