
Francesco Filidei
Italian composer and organist born in Pisa in 1973.
Francesco Filidei was born in Italy in 1973. He graduated with highest honors from a unanimous jury in organ and composition from the Conservatorio Luigi Cherubini in Florence. He then continued his studies with Salvatore Sciarrino, Sylvano Bussotti, Giacomo Manzoni, and Jean Guillou in Zurich. From 1999 to 2005, he studied composition at the Conservatoire national supérieur de Paris with Marco Stroppa and Frédéric Durieux and analysis with Michaël Lévinas. In parallel, he participated in Cursus (IRCAM’s composition and computer music course) from 2001-2002, where he studied with Philippe Leroux – as well as participating in the “Voix nouvelles” composition session at Royaumont in 2004.
He has performed as a soloist at the Berlin Philharmonic, the Festival d’Automne in Paris, the Festival Archipel in Geneva, the Venice Biennale, Milano Musica (La Scala’s 2008-2009 season), the IRCAM, the Vienna Theaterhaus, and the Forum Neues Musiktheater of Stuttgart, and elsewhere.
His compositions, published by Rai Trade, have been performed by many formations including Ensemble L’Itinéraire; the Alter Ego, Cairn, and L’Instant donné ensembles; the Nouvel Ensemble Moderne, Atelier XX, Court-Circuit, the Ensemble Intercontemporain, the Ensemble Orchestral Contemporain, Les Percussions de Strasbourg, the Béla Quartet, the Quartetto Prometeo, Klangforum Wien, SWR Sinfonieorchester Baden-Baden und Freiburg, WDR Sinfonieorchester Köln, the Recherche and Remix ensembles, 2e2m, MusikFabrik, Les Cris de Paris, the Linea ensemble, and the Orchestra Sinfonica Nazionale della RAI.
He was the Salzburg Music Förderpreisträger in 2006, and won the Takefu International Music Festival Prize in 2007, the Siemens Förderpreis in 2009, and UNESCO’s International Rostrom of Composers Picasso/Miro Medal in 2011.
Francesco Filidei was a composer-in-residence at the Schloss Solitude Academy in Stuttgart in 2006 and at the Casa de Velázquez in Madrid in 2007, for a period of two years. In 2010, he was appointed professor of compostition at Voix Nouvelles (Royaumont), and was a guest professor at the University of Iowa and the Takefu Academy in 2011. He held a residency at the Villa Medicis in Rome in 2012 and 2013 and was composer-in-residence with the 2e2m ensemble in 2015. In 2016, he was named Chevalier des Arts et Lettres by the French Ministry of Culture.
Francesco Filidei joined the Foundation of the Theatres of the Emilia Region in Italy as a musical consultant in 2018 and the Villa Medici in Rome as artistic director of the contemporary music festival Controtempo.
In 2019, he composed the opera L’inondation in collaboration with Joël Pommerat, a commission of the Opéra comique. In 2021, he adapted The Mask of the Red Death on commission from Ircam, for the 100th anniversary of the Donaueschinger Musiktage.
His works are published by Rai Trade and, since 2018, by Ricordi.
© Ircam-Centre Pompidou, 2017
Sources
Site de Francesco Filidei.
- Solo (excluding voice)
- Notturno for organ (1992), 10 mn, Inédit
- Chiaro di luna for organ (1994), 11 mn, partition retirée du catalogue
- Toccata for piano (1995), 7 mn, Ars Publica
- Danza macabra for organ (1996), 10 mn, Ars Publica
- Suite for piano (1997), 15 mn, Inédit
- elec ircam Ircam cursus Programming Pinocchio for piano and electronics (2002), 8 mn, Ars Publica [program note]
- Studio for organ (2002), 5 mn, Inédit
- Preludio for piano (2004), 6 mn, Ricordi
- Gagliarda for cello (2001-2006), 11 mn, Inédit
- Ossa acida for four performers (2006), 6 mn, Inédit
- Ricercare for organ (2006), 6 mn about , Inédit
- Filastrocca for piano (2011), 4 mn, Rai Trade
- Due sigle per Riccardo for piano six hands (2013), 5 mn, Rai Trade
- Berceuse for piano (2018), 12 mn, Ricordi
- Lied for violin (2020), 17 mn, Ricordi
- Lied for cello (2020), 7 mn, Ricordi
- Chamber music
- Texture for flute, clarinet, piano (1995), 5 mn, Ars Publica
- Corrosioni for violin and piano (1998), 7 mn, Inédit
- Il lato interno del vento for flute and piano (1999), 5 mn, Inédit
- 'Abaq for five instrumentalists (2001), 11 mn, Inédit
- (Quattro piccole cornici) for harp and flute (2003), 10 mn, Ars Publica
- Bagatella for trio (2004), 5 mn, Ars Publica
- Azione variazione ballet for six percussionists (2005), 14 mn, partition retirée du catalogue
- I Funerali dell’Anarchico Serantini for six performers (2006), 11 mn, Rai Trade
- elec Trio sonata for three instrumentalists (2006), 9 mn, Rai Trade
- Concertino d’Autunno for seven performers (2007), 13 mn, Rai Trade
- elec Sonata a Sette for seven amplified performers (2007), 12 mn, Rai Trade
- Finito ogni gesto for six instrumentalists (2008), 13 mn, Rai Trade
- Missa super l’Homme armé choreographic piece for four percussionists (2008), 35 mn, Rai Trade
- elec Sonata a Sette Tokyo Version for seven amplified performers (2008), 12 mn, Rai Trade
- Tre Bagatelle for three instruments (2008), 12 mn, Rai Trade
- L’Opera(forse) for six percussionists (2008-2009), 15 mn
- Corde Vuote for violin, cello and piano (2010), 8 mn, Rai Trade
- Erpice version for four saxophones (2004-2010), 6 mn, Rai Trade
- Esercizio di Pazzia I for four performers with inflatable balloons (2012), 7 mn, Rai Trade
- Due trascrizioni da Merula e Trabaci for string quartet (2013), 8 mn, Universal Edition
- stage Silence = Death (Democracy) for four drum kit (2013), 15 mn, Rai Trade
- Esercizio di Pazzia II for four performers with separate parts (2014), 7 mn, Rai Trade
- elec ircam Notturno sulle corde vuote for SmartInstruments string quartet (2015), 12 mn, Rai Trade
- Instrumental ensemble music
- Il quadro e la cornice for five instrumentalists (2001), 6 mn, Inédit
- Erpice for twelve saxophones (2004), 6 mn, Rai Trade
- Macchina per scoppiare i pagliacci for thirty-three instruments (2004), 11 mn, Rai Trade
- elec Pelle, legno spine for twelve performers (2004), 13 mn, Inédit
- Capriccio italiano for double orchestra (2005), 20 mn, Rai Trade
- Partita for eight instruments, five-movement version (2003-2006), 15 mn about , Rai Trade
- Puccini a Caccia for ensemble (2006), 7 mn, Rai Trade
- Concertino di Aix for ten instrumentalists (2009), 13 mn, Rai Trade
- Walking for K. Haring for student ensemble (2011), 7 mn, Rai Trade
- Ballata n.2 for ensemble (2012), 13 mn, Rai Trade
- Fiori di Fiori for orchestra (2012), 18 mn, Rai Trade
- Poemetto for ensemble (2013), 12 mn, Rai Trade
- Killing Bach for orchestra (2015), 20 mn, Rai Trade
- Ballata n.7 for ensemble (2018), 15 mn, Ricordi
- Quadro per l’autunno for orchestra (2018), 2 h 32 mn, Ricordi
- elec Ballata n° 8 for ensemble and electronics (2021), 16 mn, Ricordi [program note]
- Concertant music
- Ogni Gesto d’Amore for cello and orchestra (2009), 26 mn, Rai Trade
- elec ircam Ballata for organ and ensemble (2011), 15 mn, Rai Trade [program note]
- Ballata n.2 for piano and ensemble (2013), 12 mn, Rai Trade
- Ballata n.4 for viola da gamba and ensemble (2015), 15 mn
- Ballata n.5 for trumpet and ensemble (2015), 12 mn
- Ballata n.6 Canzone, for harmonica and ensemble (2015), 13 mn, Rai Trade
- Sull'essere angeli for flute and orchestra (2016)
- Quasi una bagatella for piano and orchestra (2019), Ricordi
- Tre quadri concerto for piano and orchestra (2020), 37 mn, Ricordi
- Vocal music and instrument(s)
- Due liriche for soprano and piano (1995), 10 mn, Inédit
- N.N for six solo voices and six percussions (2008), 60 mn, Rai Trade
- ... and here they do not version for countertenor and cello (2014), 4 mn, Rai Trade
- ... and here they do not for soprano and viola da gamba (2014), 5 mn, Rai Trade
- stage Giordani Bruno opera (2014), 1 h 30 mn
- stage L'inondation opera in two acts (2018), 2 h 20 mn, Ricordi
- Requiem for choir and 17 instruments (2020), 30 mn, Ricordi
- elec ircam stage The Red Death for soloists, choirs, orchestra and electronics (2021), Ricordi
- A cappella vocal music
- Liebestod for six voices (2009), 2 mn, Rai Trade
- Dormo Molto Amore for six voices (2012), 10 mn, Rai Trade
- Missa super l’Homme armé version for twelve performers (2014), 30 mn, Rai Trade
- Proesie. Libro I for solo voice (2020), Ricordi
- Tutto in una volta for double choir (2020), 13 mn, Ricordi
- 2021
- elec Ballata n° 8 for ensemble and electronics, 16 mn, Ricordi [program note]
- elec ircam stage The Red Death for soloists, choirs, orchestra and electronics, Ricordi
- 2020
- Lied for violin, 17 mn, Ricordi
- Lied for cello, 7 mn, Ricordi
- Proesie. Libro I for solo voice, Ricordi
- Requiem for choir and 17 instruments, 30 mn, Ricordi
- Tre quadri concerto for piano and orchestra, 37 mn, Ricordi
- Tutto in una volta for double choir, 13 mn, Ricordi
- 2019
- Quasi una bagatella for piano and orchestra, Ricordi
- 2018
- Ballata n.7 for ensemble, 15 mn, Ricordi
- Berceuse for piano, 12 mn, Ricordi
- stage L'inondation opera in two acts, 2 h 20 mn, Ricordi
- Quadro per l’autunno for orchestra, 2 h 32 mn, Ricordi
- 2016
- Sull'essere angeli for flute and orchestra
- 2015
- Ballata n.4 for viola da gamba and ensemble, 15 mn
- Ballata n.5 for trumpet and ensemble, 12 mn
- Ballata n.6 Canzone, for harmonica and ensemble, 13 mn, Rai Trade
- Killing Bach for orchestra, 20 mn, Rai Trade
- elec ircam Notturno sulle corde vuote for SmartInstruments string quartet, 12 mn, Rai Trade
- 2014
- ... and here they do not version for countertenor and cello, 4 mn, Rai Trade
- ... and here they do not for soprano and viola da gamba, 5 mn, Rai Trade
- Esercizio di Pazzia II for four performers with separate parts, 7 mn, Rai Trade
- stage Giordani Bruno opera, 1 h 30 mn
- Missa super l’Homme armé version for twelve performers, 30 mn, Rai Trade
- 2013
- Ballata n.2 for piano and ensemble, 12 mn, Rai Trade
- Due sigle per Riccardo for piano six hands, 5 mn, Rai Trade
- Due trascrizioni da Merula e Trabaci for string quartet, 8 mn, Universal Edition
- Poemetto for ensemble, 12 mn, Rai Trade
- stage Silence = Death (Democracy) for four drum kit, 15 mn, Rai Trade
- 2012
- Ballata n.2 for ensemble, 13 mn, Rai Trade
- Dormo Molto Amore for six voices, 10 mn, Rai Trade
- Esercizio di Pazzia I for four performers with inflatable balloons, 7 mn, Rai Trade
- Fiori di Fiori for orchestra, 18 mn, Rai Trade
- 2011
- elec ircam Ballata for organ and ensemble, 15 mn, Rai Trade [program note]
- Filastrocca for piano, 4 mn, Rai Trade
- Walking for K. Haring for student ensemble, 7 mn, Rai Trade
- 2010
- Corde Vuote for violin, cello and piano, 8 mn, Rai Trade
- Erpice version for four saxophones, 6 mn, Rai Trade
- 2009
- Concertino di Aix for ten instrumentalists, 13 mn, Rai Trade
- Liebestod for six voices, 2 mn, Rai Trade
- L’Opera(forse) for six percussionists, 15 mn
- Ogni Gesto d’Amore for cello and orchestra, 26 mn, Rai Trade
- 2008
- Finito ogni gesto for six instrumentalists, 13 mn, Rai Trade
- Missa super l’Homme armé choreographic piece for four percussionists, 35 mn, Rai Trade
- N.N for six solo voices and six percussions, 60 mn, Rai Trade
- elec Sonata a Sette Tokyo Version for seven amplified performers, 12 mn, Rai Trade
- Tre Bagatelle for three instruments, 12 mn, Rai Trade
- 2007
- Concertino d’Autunno for seven performers, 13 mn, Rai Trade
- elec Sonata a Sette for seven amplified performers, 12 mn, Rai Trade
- 2006
- Gagliarda for cello, 11 mn, Inédit
- I Funerali dell’Anarchico Serantini for six performers, 11 mn, Rai Trade
- Ossa acida for four performers, 6 mn, Inédit
- Partita for eight instruments, five-movement version, 15 mn about , Rai Trade
- Puccini a Caccia for ensemble, 7 mn, Rai Trade
- Ricercare for organ, 6 mn about , Inédit
- elec Trio sonata for three instrumentalists, 9 mn, Rai Trade
- 2005
- Azione variazione ballet for six percussionists, 14 mn, partition retirée du catalogue
- Capriccio italiano for double orchestra, 20 mn, Rai Trade
- 2004
- Bagatella for trio, 5 mn, Ars Publica
- Erpice for twelve saxophones, 6 mn, Rai Trade
- Macchina per scoppiare i pagliacci for thirty-three instruments, 11 mn, Rai Trade
- elec Pelle, legno spine for twelve performers, 13 mn, Inédit
- Preludio for piano, 6 mn, Ricordi
- 2003
- (Quattro piccole cornici) for harp and flute, 10 mn, Ars Publica
- 2002
- elec ircam Ircam cursus Programming Pinocchio for piano and electronics, 8 mn, Ars Publica [program note]
- Studio for organ, 5 mn, Inédit
- 2001
- 'Abaq for five instrumentalists, 11 mn, Inédit
- Il quadro e la cornice for five instrumentalists, 6 mn, Inédit
- 1999
- Il lato interno del vento for flute and piano, 5 mn, Inédit
- 1998
- Corrosioni for violin and piano, 7 mn, Inédit
- 1997
- Suite for piano, 15 mn, Inédit
- 1996
- Danza macabra for organ, 10 mn, Ars Publica
- 1995
- Due liriche for soprano and piano, 10 mn, Inédit
- Texture for flute, clarinet, piano, 5 mn, Ars Publica
- Toccata for piano, 7 mn, Ars Publica
- 1994
- Chiaro di luna for organ, 11 mn, partition retirée du catalogue
- 1992
- Notturno for organ, 10 mn, Inédit
Bibliographie
- Francesco FILIDEI, Bastien GALLET, « Giordano Bruno, la chair et les cendres : entretien », dans Accents, le webmag de l’Ensemble intercontemporain, 2016, à lire ici (lien vérifié en novembre 2021).
- Antoine GINDT (dir.), Giordano Bruno, (contient l’argument, le livret et un entretien avec Francesco Filidei), La Revue T&M-Paris, 2016. Document consultable en ligne (lien vérifié en novembre 2021).
- Michelle Agnes MAGALHAES, « Francesco Filidei : gestualité instrumentale, gestualité musicale », texte de l’intervention présentée lors de la rencontre organisée par le Cdmc Francesco Filidei. Bellezza (e più se affinità), le 8 janvier 2015. Consultable en ligne : https://geste.hypotheses.org/231 (lien vérifié en novembre 2021).
- Pierre ROULLIER (dir.), Francesco Filidei, Dans la peau du son, collection « À la ligne », éditions 2e2m, 2015.
Discographie
- Francesco FILIDEI, Move 03 ; Sull’essere angeli ; Hondar, dans « Srnka/Filidei/Lazkano », 1 CD Collection Printemps des Arts de Monaco, 2017, PRI 023.
- Francesco FILIDEI, « L’Opera (Forse) ; Concertino d’Autunno ; Puccini alla caccia », Ensemble 2e2m, dir. Pierre Roullier, dans Forse, 1 cd L’Empreinte Digitale, 2016, ED13247.
Liens Internet
- Site de Francesco Filidei : www.francescofilidei.wordpress.com
- Francesco Filidei à la Villa Médicis : www.villamedici.it
- Archive audio de la rencontre organisée par le Cdmc le 8 janvier 2015, Francesco Filidei. Bellezza (e più se affinità) : www.cdmc.asso.fr
- « Créer un solfège de gestes instrumentaux pour la composition », conférence à l’Ircam le 17 octobre 2004.
- « Gestes de vie et de mort », partie du cycle de la journée de conférences « Composer (avec) le geste », 18 juin 2014 à l’Ircam.
- « Images d’une œuvre n° 20 : Notturno sulle corde vuote, de Francesco Filidei », documentaire produit par l’Ircam, 2016.
(liens vérifiés en novembre 2021).