Works / By title
3198 works beginning with d
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Nico Muhly (1981) Biography Documentary resources
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stage Dark Sisters opera in two acts for seven voices and orchestra, 1 h 30 mn, St. Rose Music Publishing
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De Profundis for two tenors, choir and organ, 6 mn 30 s, St. Rose Music Publishing
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Death in Venice for countertenor and ensemble, 19 mn, St. Rose Music Publishing
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Detailed Instructions for orchestra, 18 mn, St. Rose Music Publishing
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Diacritical Marks for string quartet, 15 mn, St. Rose Music Publishing
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Dog & Frog (from Confessions), for alto recorder, harpsichord, lute and strings, 2 mn 30 s, St. Rose Music Publishing
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Dominus Regnavit for mixed choir and organ, 6 mn, St. Rose Music Publishing
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Double Standard for two percussions and orchestra, 16 mn, St. Rose Music Publishing
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Doublespeak for ensemble, 10 mn, St. Rose Music Publishing
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elec Drones and Piano for piano and tape, 12 mn 40 s, St. Rose Music Publishing
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elec Drones and Viola for viola and tape, 14 mn, St. Rose Music Publishing
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Drones and Violin for violin and piano, 12 mn, St. Rose Music Publishing
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Drones on "Oh Lord, Whose Mercies Numberless" for countertenor and orchestra, 4 mn 42 s, St. Rose Music Publishing
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Drones, Variations, Ornaments sinfonietta for ensemble, 14 mn 21 s, St. Rose Music Publishing
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Duet No 1 (Chorale Pointing Downwards) for viola and cello, 8 mn, St. Rose Music Publishing
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Isabel Mundry (1963) Biography Oeuvre Documentary resources
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stage Das Mädchen aus der Fremde for actors, dancers, choir and orchestra, performed in collaboration with Reinhild Hoffmann (dance), 25 mn, Lemoine
[program note]
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Das Rohe und das Geformte III for ensemble, 17 mn, Breitkopf & Härtel
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Depuis le jour (mit Blick auf Sweelinck) for fifteen strings and percussion, 23 mn, Breitkopf & Härtel
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Der Körper der Saite for cello and ensemble, 22 mn, Breitkopf & Härtel
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Die Vorüberlaufenden for flute, bass clarinet and cello, 10 mn, Breitkopf & Härtel
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Dufay arrangements for ensemble, 30 mn, Breitkopf & Härtel
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D’où venons nous – Que sommes nous – Où allons nous for clarinet, violin, cello and piano, 13 mn, Breitkopf & Härtel
[program note]
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Brigitta Muntendorf (1982) Biography Documentary resources
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Tristan Murail (1947) Biography Oeuvre Documentary resources
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Paul Müller-Zürich (1898-1993)
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François Narboni (1963) Biography
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Darkness Visible for piano and string quartet ad libitum, 9 mn, pas d'éditeur
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Dikê for four bass voices and instrumental ensemble, 18 mn, Inédit
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Doxa for vocal ensemble, choir and orchestra, on the Poème de Parménide, 45 mn, pas d'éditeur
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Luis Naón (1961) Biography Documentary resources
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Del fuego las resonancias for guitar, 6 mn, Inédit
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elec Desde la sombra for synthesizer and magnetic tape, 11 mn, Inédit
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Deux Tangos du Cycle Amor a Roma for mezzo-soprano, saxophone, percussion, double bass and piano, 8 mn, Billaudot
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elec Diabolus Urbanus (Urbana 15) for viola and fixed sounds, 13 mn, Inédit
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Diagonal (Urbana 18) for 8 soloists, 14 mn
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elec Double Concerto (Urbana 21) for 2 orchestras and electronics, 45 mn, Inédit
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Double Urbana (Cruz y ficciones) (Urbana 17) concerto for two meta instruments and double orchestra, 13 mn, Inédit
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Déclives (Urbana 23) for tuba, percussion and electoacoustic device, 19 mn, Ambrosio
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elec Déclives II for saxophone, percussion and prerecorded sounds, Inédit
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Sarah Nemtsov (1980) Biography Documentary resources
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De Yukel à Sarah for voice and ensemble, 11 mn
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elec Drummed variation for kaoss pad and no drums, 10 mn
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Déliberation for trumpet, 5 mn
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D’une femme, of a woman for mezzo-soprano and prepared piano (with toypiano), 9 mn
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deconstructions two pieces for violin and piano, 9 mn about , Nova Vita Berlin
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deconstructions II for english horn and piano, 13 mn
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dismissed thoughts for wood quintet, 7 mn
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elec dream of a cab for (mezzo-)soprano, soprano saxophone, accordion, amplification and tape, 12 mn about
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elec dropped.drowned for large orchestra, 17 mn, Ricordi
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Olga Neuwirth (1968) Biography Oeuvre Documentary resources
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stage Der Wald Ein tönendes Fastfoodgericht, mini opera, 11 mn, édition du compositeur
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stage Die Schamlosen one act show, 10 mn, édition du compositeur