Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?157 works out of 51359
- elec ircam A Profane Passion, for four soloists, four choirs, two ensembles and electronics (1999), 1 h 26 mn, Lemoine [program note] / Brice Pauset
- A Sinking Love for soprano and four violas da gamba (or for soprano and string quartet) (1995), 6 mn, Schirmer / Tan Dun
- Akathist of Thanksgiving for solo voices, mixed choir, timpani, tubular bells, organ and strings (1987), 1 h 20 mn, Chester Music / Sir John Tavener
- elec stage ALT chamber opera for countertenor, actor and amplified ensemble with electronics (2015), 27 mn / Sarah Nemtsov
- Apokatastasis for countertenor, viol consort and three Tibetan temple bowls (1999), 2 mn, Chester Music / Sir John Tavener
- Arboles lloran por lluvia for soprano, countertenor, male ensemble, nyckelharpa and sandpaper blocks (2006), 10 mn / Helena Tulve
- Ar’ab la forsa del freis for countertenor and two clarinets (2017), 8 mn 30 s / Carlos de Castellarnau
- Bludiště seznamů spoken opera (2016), 1 h 5 mn, Inédit / Martin Smolka
- stage Bluthaus opera for voice, fourteen actors and orchestra (2010), 1 h 45 mn, Ricordi Berlin / Georg Friedrich Haas
- C. Vier Etüden for four voices and bass clarinet (2012) / Johannes Schöllhorn
- Canciones Españolas for two countertenors or sopranos, two flutes, percussion, organ and harpsichord (1972), 15 mn, Chester Music / Sir John Tavener
- Canciones lunáticas for countertenor and string quartet (2008-2009), 22 mn, University of York Music Press / Hilda Paredes
- Cantata for countertenor and chamber orchestra (1994), Hans Sikorski / Alfred Schnittke
- elec stage Cinq pièces pour Hamlet for seven singers, seven instrumentalists and electronics (1987), 25 mn, Salabert / Laurent Cuniot
- Collected Airs for countertenor, contralto, flute, cello and trombone (1971) / Alvin Curran
- Cri de blog for five voices and positive organ ad libitum (2006-2007), 5 mn / Claude Ledoux
- stage Das Leben am Rande der Milchstraße a sitcom opera in seven episodes (2014), 2 h 20 mn, Peters / Bernhard Gander
- Death in Venice for countertenor and ensemble (2019), 19 mn, St. Rose Music Publishing / Nico Muhly
- Der Bilderfresser for choir and orchestra (2008), 30 mn, Ricordi / Fabio Nieder
- elec stage Die Besessenen opera in four acts (2008-2009), 2 h 10 mn, Boosey & Hawkes / Johannes Kalitzke
- stage Die dunkle Seite des Mondes opera in two acts (2025), 2 h 30 mn, Boosey & Hawkes / Unsuk Chin
- Dir - In Dir for vocal sextet and string sextet (2003-2010), 40 mn, Suvini Zerboni [program note] / Stefano Gervasoni
- Distendi la fronte for five voices and instruments (2016, 2019), RAI.COM / Salvatore Sciarrino
- elec stage Doctor Ox’s Experiment opera for 12 solo voices, choir and orchestra (1997), 2 h 10 mn, Schott / Gavin Bryars
- Doina for voice and string orchestra (1996), 20 mn, Thürmchen Verlag / Carola Bauckholt
- Dream of the Song for countertenor, women's choir and orchestra (2014-2015), 20 mn, Faber Music / George Benjamin
- Drones on "Oh Lord, Whose Mercies Numberless" for countertenor and orchestra (2009), 4 mn 42 s, St. Rose Music Publishing / Nico Muhly
- Duets from Doctor Ox’s Experiment for soprano, counter-tenor and ensemble (1998), 37 mn / Gavin Bryars
- stage El abrecartas opera in a prologue and six scenes (2015), 2 h 20 mn about , Suvini Zerboni / Luis de Pablo
- El dilema for soprano, countertenor and ensemble (2020-2022), 20 mn / José Río‑Pareja
- elec stage El otoño del patriarca opera in six scenes after Gabriel García Márquez (2003), 1 h 50 mn, Ricordi / Giorgio Battistelli
- stage Eleonore Opéra de la Liberation, for two sopranos, countertenor, tenor, baritone and ensemble (2020), 35 mn, Edition Juliane Klein / Gordon Kampe
- Fall and Resurrection for soprano, countertenor, baritone, mixed choir and ensemble (1997), 1 h 5 mn, Chester Music / Sir John Tavener
- FIKONTRÄDET for counter tenor and baroque ensemble (2016), 15 mn / Lisa Streich
- Final Soliloquy of the Interior Paramour for mezzo-soprano, countertenor and small ensemble (2005), 8 mn, Schirmer / Augusta Read Thomas
- Five action sketches five miniatures for two voices and ensemble (2014), 13 mn, Schott / Chaya Czernowin
- Four Traditional Songs for countertenor (or baritone) and piano (2011), 15 mn, St. Rose Music Publishing / Nico Muhly
- Fragments d'Ausiàs March for five male voices and ensemble (2016), 28 mn / Joan Magrané Figuera
- stage G, Being the Confession and Last Testament of Johannes Gensfleisch, also known as Gutenberg, Master Printer, formerly of Strasbourg and Mainz. opera in two Acts, with prologue and epilogue (2001), 2 h 30 mn, Schott / Gavin Bryars
- elec stage Gefährliche Operette for countertenor, ensemble and recording (2019, 2018), 60 mn, Edition Juliane Klein / Gordon Kampe
- stage Gesualdo opera in seven tableaux, with a prologue and an epilogue (1993), 2 h 15 mn, Hans Sikorski / Alfred Schnittke
- stage Giordani Bruno opera (2014), 1 h 30 mn / Francesco Filidei
- stage GRAMMA (Jardines de la escritura / Gärten der Schrift) chamber opera for solo voices, choir and chamber orchestra (2004-2005), 60 mn, Breitkopf & Härtel / José María Sánchez-Verdú
- stage Gulliver opera in four acts, for baritone, vocal sextet and ensemble of fifteen instruments (2011-2014), 1 h 35 mn / James Wood
- elec Hände im Spiegel concerto for piano, orchestra, live electronics and two accompanying soloists (countertenor and bass/contrabass clarinet) (1992-1993), 22 mn, Edition Gravis / Johannes Kalitzke
- Hekabe-beta for soprano, contralto, countertenor and ensemble (2005-2011), 4 mn, édition du compositeur / Richard Barrett
- Henry in the sky with diamonds for countertenor and seven instruments (2014) [program note] / Daniel Zea Gómez
- Hila-Hila to... for countertenor and seven musicians (2009), 8 mn 40 s, Suvini Zerboni / Malika Kishino
- elec stage Historia von D. Johann Fausten opera in three acts, with a prologue and an epilogue (1991-1994), Hans Sikorski / Alfred Schnittke
- Hymn for countertenor and ensemble (2017), 5 mn, St. Rose Music Publishing / Nico Muhly