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9996 works out of 51359

Wir sind die Treibenden for mezzo-soprano and flute ensemble (2008), 22 mn, Inédit / Karim Haddad
Wir singen unser neues Lied (fragment) for voice (1972), Inédit / Paul Dessau
Wir tönen allein for soprano and chamber orchestra (1991), 10 mn / Gloria Coates
Wireless technologies for voice and ensemble (2011), 15 mn, édition du compositeur / Dmitri Kourliandski
Wishing Well for mezzo-soprano, clarinet, viola and piano (1986), 3 mn, Sikorski / Edison Denisov
Witches of Venice ballet (1995), 1 h 50 mn, Dunvagen Music Publishers / Philip Glass
elec With a blue dress on for violin / voice, four recorded violins and four recorded voices (2010, 2014), 10 mn, Red Poppy / Julia Wolfe
With Eys Lift Up for mixed choir and organ (2022), 5 mn, St. Rose Music Publishing / Nico Muhly
With lilies white for orchestra with voices (2001-2002), 20 mn, Bärenreiter / Matthias Pintscher
elec ircam stage Ircam cursus With my Limbs in the Dark for soprano, ensemble, live electronic device, dancer and video installation, choreography by Alban Richard (2008-2009), 18 mn, Inédit [program note] / Paul Clift
elec Without Words for soprano, eleven instruments, and live electronics (2012), 15 mn, Edition Gravis / Aaron Einbond
Wittenau Blu for two sopranos, violin, shruti box, percussion and baritone (three musicians) (1998), 4 mn / Manos Tsangaris
Wo bist du licht! for mezzo-soprano, percussion, strings and tape (1981), 23 mn, Boosey & Hawkes [program note] / Claude Vivier
Wobbly Music for mixed chorus, keyboard, guitar(s), 2 or more melody instruments (1975-1976), 30 mn about , Peters / Christian Wolff
Wodnica ; Kołysanka lipowa two songs, for voice and piano (1934), partition perdue / Witold Lutosławski
Wohin bist du gegangen ? for choir and 17 instruments (2012), 12 mn, Universal Edition / Georg Friedrich Haas
Wohltätigkeit for solo voice, two clarinets, alto saxophone, two trumpets, trombone, percussion, banjo, piano and double bass (1929), 3 mn 10 s, Breitkopf & Härtel / Hanns Eisler
stage Wolf Cub Village chamber opera in four scenes (1994) / Guo Wenjing
Wolf Lieder orchestration of four Lieder by Wolf (1997), 10 mn, Ricordi / Gérard Grisey
Wolf Lieder instrumentation of 9 Lieder by Hugo Wolf, for voice, clarinet, string quartet and piano (2015), 25 mn / Benoît Mernier
Wölfli-Lieder second version of Wölfli-Liederbuch, for bass-baritone and orchestra (1981-1982), 10 mn, Universal Edition / Wolfgang Rihm
Wölfli-Liederbuch for bass-baritone and piano (and two bass drums ad libitum) (1980-1981), 15 mn, Universal Edition / Wolfgang Rihm
elec stage Wolfsschlucht musical theater (2019) / Malte Giesen
Wolken for nine-part children's choir and percussion (1996), 7 mn, Lemoine / Michael Jarrell
Wolken for female voice and piano (2014), 13 mn, Salabert / Pascal Dusapin
elec stage Women musical theater for soprano, violin, bass clarinet, harp, live electronics and video (2009-2013), 60 mn / Aurélio Edler-Copes
WONDERFUL DELUXE Rêves et futilités d'une idôle, for countertenor, five voices and ensemble (2014-2015), 55 mn, Edition Gravis / Brice Pauset
stage Wonderful Town musical in two acts for voices, choir, orchestra and dancers (1952-1953), Boosey & Hawkes / Leonard Bernstein
elec Wonders for male vocals, trombone, percussion, harp, keyboard, bass and electronics (2007), 15 mn, St. Rose Music Publishing / Nico Muhly
elec Words and Music after Samuel Beckett, for two actors and ensemble (2015), 40 mn, Suvini Zerboni / Ivan Fedele
Words for Music for vocal ensemble and double bass (2017), 10 mn, Schott / Gavin Bryars
Words for Music Perhaps for reciters and ensemble (1959-1960), 14 mn, Schott / Sir Michael Tippett
Words Overheard for soprano and chamber orchestra (1985), 8 mn, Universal Edition / Sir Harrison Birtwistle
Worksong for a voice and synthesizer (2003) / Terry Riley
Wort an die Vereinten Nationen for choir (one part) with piano accompaniment (1951), Inédit, manuscrit perdu / Paul Dessau
elec wort – « Schatz ! » for speaking voice, bass flute, bass clarinet in Bb, viola, piano and electronics (2014-2015), 9 mn, Carus verlag / Walter Feldmann
Wortabend scene for two voices and thirteen instruments (1979), pas d'éditeur / Roland Moser
Wortanfall for voices and ensemble (1986), 25 mn, Thürmchen Verlag / Carola Bauckholt
stage Worte –Töne – Schritte musical history for voice, percussion and synthesizer (1997), 15 mn, Schott / Dieter Schnebel
Wörter Bilder Dinge for contralto and string quartet (1989-1991), 22 mn, Ricordi / Hans Wüthrich
Wortlos two pieces for (silent) voice and piano (2007), 3 mn, Universal Edition / Wolfgang Rihm
Woyzeck for voice, violin, accordion and percussion (1993), Dunvagen Music Publishers / Philip Glass
stage Wozzeck opera in 3 acts (15 scenes) (1917-1922), 1 mn 30 s, Universal Edition / Alban Berg
elec writing on water for solo voices and ensemble (2005), 32 mn, Schirmer / David Lang
elec stage Writing to Vermeer opera in ten scenes for three women, two children, choir and orchestra (1997-1998), 1 h 40 mn, Boosey & Hawkes / Louis Andriessen
stage Written on Skin three-part opera (2012), 1 h 30 mn, Faber Music / George Benjamin
stage Wum und Bum und die Damen Ding Dong version for voice and chamber orchestra (2019), 50 mn, Edition Juliane Klein / Gordon Kampe
stage Wum und Bum und die Damen Ding Dong for voice and orchestra (2017), 50 mn, Edition Juliane Klein / Gordon Kampe
elec wunderzaichen opera (2017, 2008-2014), 2 h, Peters / Mark Andre
Wüste: Tagzeiten Simeons Suite n °2 from the opera Stephen Climax, for 5 singers, male choir and orchestra (1980-1984), 30 mn, Universal Edition / Hans Zender

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Works / By specific formation

9996 works out of 51359

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