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9996 works out of 51359

Internationale Kriegsfibel for solo voices, mixed choir and orchestra (1944-1948) / Paul Dessau
Intersecazioni for violin and orchestra, with four solo voices (1959-1973), 30 mn, Universal Edition / Friedrich Cerha
Intervalles III for soprano and orchestra (1976), 10 mn, Jobert / Philippe Boesmans
Intervals for bass-baritone and ensemble (1961), Peters / Morton Feldman
Interview avec D. for Monsieur Croche and orchestra (1994), 26 mn, Peters / Mauricio Kagel
elec stage Interzone for 6 voices, ensemble and electronics (2002-2004), 1 h 16 mn, Ricordi / Enno Poppe
elec stage Intimate Immensity A Media Poem, for two disclaviers, two singers, Balinese dancer and interactively controlled laserdiscs, computer sound and lights (1997), 1 h 20 mn / Morton Subotnick
Intimità for piano and voice (1947) / Ennio Morricone
elec Intimité musical creation in 3 movements for professional musicians and amateur participants, recorded instruments and sounds, objects and voices (2014) / Nicolas Frize
Into the Labyrinth cantata for tenor and chamber orchestra (1983), 22 mn, Chester Music / Sir Peter Maxwell Davies
stage Into the Little Hill A lyric tale in two parts, for soprano, contralto and ensemble of 15 instrumentalists (2006), 40 mn, Faber Music / George Benjamin
Into the Streets May First for unison choir and piano (1925), Boosey & Hawkes / Aaron Copland
elec stage Intolleranza 1960 action in two tableaux based on an idea by Angelo Maria Ripellino (1960-1970), 1 h 20 mn, Ars Viva / Luigi Nono
Intolleranza 1960 (suite da concerto) for soprano, choir and orchestra (1969), 18 mn, Ars Viva / Luigi Nono
Intrépides for soprano and instrumental quartet (2020) / Alexandros Markeas
stage Introducción y escena from the opera Lázaro, for three voices and orchestra (2004-2006), 28 mn 30 s, Universal Edition / Cristóbal Halffter
elec ircam Introduction aux ténèbres for bass voice, solo double bass, 13 musicians and electronics (2009), 45 mn, Billaudot [program note] / Raphaël Cendo
Introduzione e Aria "Ancora il duplice" first part of Amore e Psiche, for mezzo-soprano and orchestra (1971), 15 mn, Ricordi / Salvatore Sciarrino
Introit for March 27, the Feast of St John of Damascene for soprano, contralto, mixed choir and ensemble (1968), 20 mn, Chester Music / Sir John Tavener
elec Introitus agiografia di futuro cadavere dal Codex Seraphinianus di Luigi Serafini, for female voice, percussion and electronics (2010), 17 mn, Inédit / Giovanni Bertelli
Introitus for soprano and six instruments (2002) / Daniele Bravi
Introitus T.S. Eliot in memoriam, Requiem mass, for male choir and ensemble (1965), 4 mn, Boosey & Hawkes / Igor Stravinsky
stage Inura ballet for voices, strings and percussion (2009), 40 mn, Peer Music / Tania León
elec stage Invasion - Explosion mit Abschied for soprano, tenor, bass, choir, brass instruments and synthesizers (1990-1991), 1 h 14 mn, Stockhausen Verlag / Karlheinz Stockhausen
Invent'airs for soprano and wind quintet (1993), 10 mn, pas d'éditeur / Alain Berlaud
Invention of Tradition for two cathedral organs, female choir and ensemble (1988), 45 mn / Gavin Bryars
invisible threads for string quartet, vocal sextet, bass clarinet and accordion (2022-2023), 1 h 12 mn, Breitkopf & Härtel / Christian Mason
Invisible Voices for six mixed voices and large orchestra (2005), 20 mn, Billaudot / Qigang Chen
Invitation à l'Utopie for soloist, ensemble, narrator, solo voices and choir, in collaboration with Michel Butor (1971), Suvini Zerboni / Henri Pousseur
Invocation Opera (2002-2003), Bärenreiter / Beat Furrer
Invocation à l'ange Raphaël cantata in four parts, for female choir and orchestra (1962), 14 mn, Eschig / Darius Milhaud
Invocation III for soprano and ensemble, scene from "invocation" concert version (2004), 12 mn, Bärenreiter / Beat Furrer
Invocation to Mercurius for choir and rattlesnakes (1994), 4 mn, Chester Music / Sir Peter Maxwell Davies
Invocation VI for soprano and bass flute (2002-2003), 10 mn about , Bärenreiter / Beat Furrer
Invocations for six voices and two percussionists (2017), 8 mn, Inédit / François-Bernard Mâche
Inward Things for mezzo-soprano and piano (2020), 4 mn, St. Rose Music Publishing / Nico Muhly
Io for mezzo-soprano, choir and twelve instruments (1979-1980, 2002), 30 mn, Éditions de l'Agité [program note] / Bernard Cavanna
Io cessero il mio canto for voice and piano (1924) / Nino Rota
elec Io, frammento dal Prometeo for three sopranos, small choir, bass flute, contrabass clarinet and electronics (1981), 1 h 10 mn, Ricordi / Luigi Nono
elec stage Ipermnestra one-act musical drama (1984), partition retirée du catalogue [program note] / Ivan Fedele
Iphigénie en Tauride for 6 solo voices, 4 percussions, zither and piano (1965), Inédit / Maurice Ohana
stage Ippis twenty popular chorales (1979) / Mikis Theodorakis
elec stage IQ Eine Testbatterie in acht Akten, musical theater (2012), Ricordi / Enno Poppe
elec Ireland: A Dataset for vocal ensemble, instrumentalist, video and live electronics (2020), 50 mn / Jennifer Walshe
Irgendwo im Süden von Dixie for voice and guitar (fragment) (1949), Inédit / Paul Dessau
Iris for soprano and ensemble (2010), 15 mn / Laurent Martin
Iris Dévoilée concerted suite for grand orchestra, three female voices and three traditional Chinese instruments (2001), 44 mn, Billaudot / Qigang Chen
Irisation-Rituel for soprano, flute, reciter ad libitum and orchestra (1980), between 26 mn and 29 mn, Salabert / Allain Gaussin
stage Irma opera (1977), 38 mn / Gavin Bryars
Irrational for baritone, bass clarinet, trumpet and trombone (2018-2019), 11 mn, Schott / Chaya Czernowin

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9996 works out of 51359

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