Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?204 works out of 51359
- stage Suite from Paradise Lost, for soloists, choir and orchestra (2000), 1 h 40 mn, Schott / Krzysztof Penderecki
- elec stage Surrogate Cities for mezzo-soprano, narrator, sampler and orchestra (1993-1994), 1 h 25 mn, Ricordi / Heiner Goebbels
- elec Symphonie VI - Erstarrte Schatten for large orchestra, six solo voices and live electronics (2009), 35 mn, Lemoine [program note] / Brice Pauset
- Symphony No. 10: Alla ricerca di Borromini for baritone, choir and orchestra (2013), 45 mn, Schott / Sir Peter Maxwell Davies
- Szenen und Arien after Il ritorno d'Ulisse in patria by Claudio Monteverdi (1981), 49 mn, Schott / Hans Werner Henze
- elec ircam Tenebrae for six voices, ensemble and electronics (2012-2013), 28 mn, Durand [program note] / Alberto Posadas
- Têtes for male soloist voice (baritone singer, narrator and actor) and ensemble (2017), 35 mn, Breitkopf & Härtel / Misato Mochizuki
- elec The body electric - Voicings on Walt Whitman I for female voice, clarinet, trombone, viola, percussion and electronics (2013-2014), 23 mn / Georgia Spiropoulos
- elec stage The Carbon Copy Building for solo voices and ensemble (1999), 1 h 12 mn, Red Poppy / Michael Gordon
- The City of Dis or: The Ship of Fools for solo voices, choir and ensemble (2007), 21 mn, Boosey & Hawkes / Louis Andriessen
- The Doctrine of Similarity for choir and instruments (1999-2000), 19 mn, Peters [program note] / Brian Ferneyhough
- stage The English Cat - Die englische Katze story for singers and instruments (1980-1983), 1 h 10 mn, Schott / Hans Werner Henze
- stage The Flood musical play (1961-1962), 24 mn, Boosey & Hawkes / Igor Stravinsky
- elec The Horatian - Three songs version for mezzo-soprano and ensemble, taken from Surrogate Cities (1994-1999), 15 mn, Ricordi / Heiner Goebbels
- The Last Day for children's voice, four male voices and large ensemble (1996), 29 mn, Boosey & Hawkes / Louis Andriessen
- elec stage The Last Supper dramatic tableau for fourteen solo voices, women's choir and chamber orchestra (1998-1999), 1 h 50 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- elec ircam stage The Mask of Orpheus opera in three acts (1983-1986), 3 h 30 mn, Universal Edition / Sir Harrison Birtwistle
- stage The Minotaur opera in thirteen scenes (2005-2007), 1 h 50 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- elec stage The Navigator opera in six scenes and a prelude (2008), 1 h 30 mn, Ricordi [program note] / Liza Lim
- stage The Persians musical theater for voices and musical ensemble (1985) / Frederic Rzewski
- stage Theatre of the World grotesque stagework in nine scenes (2013-2015), 1 h 50 mn, Boosey & Hawkes / Louis Andriessen
- Theorie der Tränen: Louise for soprano and ensemble (2009), 30 mn, Lemoine / Brice Pauset
- Thomas Chatterton opera in 2 parts after Hans Henny Jahnn (1994-1998), 1 h 40 mn, Bärenreiter / Matthias Pintscher
- Three Explorations for solo baritone, woodwind and brass instruments (2010-2011), 10 mn, Boosey & Hawkes [program note] / Elliott Carter
- Tongue of the Invisible for improviser pianist, baritone and 16 instruments (2010-2011) / Liza Lim
- Tote Metren for bass-baritone and ensemble (1989), 12 mn, Breitkopf & Härtel / Nicolaus A. Huber
- Trilogy of The Last Day for voices and large ensemble (1996-1997), 58 mn, Boosey & Hawkes / Louis Andriessen
- Trois Chansons de France by Claude Debussy, arrangement for voice and orchestra (2016), 7 mn, Schott / Heinz Holliger
- Trois Poèmes de Stéphane Mallarmé by Claude Debussy, arrangement for voice and orchestra (2016), 10 mn, Schott / Heinz Holliger
- elec ircam Troubles musical theater for two voices, percussion, clarinet, double bass and electronics (2014) / Pablo Galaz Salamanca
- elec Übungen zu Scardanelli for solo flute, small orchestra, tape and four or five female voices ad lib. (1978-1991), 1 h 2 mn, Schott / Heinz Holliger
- Un jour comme un autre for soprano and five instruments (1975), 12 mn, Peters / Vinko Globokar
- elec ircam Urban Songs for soprano, ensemble and electronics (1991-1992), 30 mn, Donemus [program note] / Klas Torstensson
- Utrenja I Grablegung Christi, for five solo voices, 2 mixed choirs and orchestra (1969), 50 mn, Schott / Krzysztof Penderecki
- Utrenja II Auferstehung, for soloists, children's choir, two mixed choirs and orchestra (1970-1971), 36 mn, Schott / Krzysztof Penderecki
- Üzenetek zenekarra for orchestra and mixed choir (1991-1996), 13 mn, Editio Musica / György Kurtág
- Versprengung for voice and instruments, for film (2011), 25 mn / Juliana Hodkinson
- stage Violetter Schnee opera for four voices, one actress, mixed choir and orchestra (2019) / Beat Furrer
- Vogelperspektiven for soprano, narrator and orchestra (2015), 35 mn, Breitkopf & Härtel / Isabel Mundry
- stage Vorspiel, Visionen und Finale from Paradise Lost, for 6 soloists, large mixed choir and orchestra (1979), 40 mn, Schott / Krzysztof Penderecki
- stage Waiting for the Barbarians opera in two acts (2005), 1 h 15 mn, Dunvagen Music Publishers / Philip Glass
- stage Wake musical theater for mixed choir and orchestra (2018), 1 h 15 mn, Ricordi / Giorgio Battistelli
- stage We come to the River - Wir erreichen den Fluß musical action (1974-1976), 2 h, Schott / Hans Werner Henze
- What Are Years for soprano and ensemble (2009), 12 mn, Boosey & Hawkes / Elliott Carter
- Whitman Settings for soprano and orchestra (1991-1992), 11 mn, Faber Music / Oliver Knussen
- elec Wing on Wing for orchestra with two sopranos (2003-2004), 27 mn, Chester Music / Esa-Pekka Salonen
- Wireless technologies for voice and ensemble (2011), 15 mn, édition du compositeur / Dmitri Kourliandski
- With lilies white for orchestra with voices (2001-2002), 20 mn, Bärenreiter / Matthias Pintscher
- elec Without Words for soprano, eleven instruments, and live electronics (2012), 15 mn, Edition Gravis / Aaron Einbond
- elec stage Writing to Vermeer opera in ten scenes for three women, two children, choir and orchestra (1997-1998), 1 h 40 mn, Boosey & Hawkes / Louis Andriessen