Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1566 works out of 51359
- elec Symphonie II - La liseuse for voice and spatialized orchestra (2003), 41 mn, Lemoine [program note] / Brice Pauset
- Symphonie n° 14 in G minor, for soprano, bass, string orchestra and percussion (1969), 47 mn, Le Chant du Monde / Dimitri Chostakovitch
- Symphonie n° 5 « Amen » for reciter and ensemble (1989-1990), 13 mn, Sikorski / Galina Ustvolskaïa
- S[z]umun for three female voices and ensemble (2008), 13 mn / Heera Kim
- T'ien chung Yao for soprano, cymbalum and two percussionists (1985), 19 mn / James Wood
- Talea for percussion, soprano and double bass (2004), 13 mn / Marta Gentilucci
- Tao of Glass for voice and small ensemble (2019), 30 s, Dunvagen Music Publishers / Philip Glass
- Tara portrait d'Artaud I, for bass-baritone, flute, four percussionists, celesta and double bass (2012), Éditions musicales Artchipel / François Meïmoun
- Tarkhna – Etruskische Räume for two reciters, two solo female voices, vocal ensemble, two percussionists and wind instruments (2006-2007), 32 mn / Marta Gentilucci
- stage Tarquin two-part chamber opera (1940), Universal Edition / Ernst Krenek
- Taste for soprano and ensemble (1992), 10 mn about , Inédit [program note] / Isabel Mundry
- Te espera esa Chispa for mixed choir and ensemble (1982), 10 mn, Inédit / Javier Alvarez
- elec Tehillim version for voices and ensemble (1981), 30 mn, Boosey & Hawkes [program note] / Steve Reich
- elec stage Temboctou for solo voices, choir, ensemble and tape (1981), 2 h 30 mn, Inédit / François-Bernard Mâche
- Tempo der Zeit for contralto, bass, narrator, mixed choir, wind instruments and percussion (1929), 20 mn, Universal Edition / Hanns Eisler
- Temp’est for female voice and ensemble (1994), 25 mn, Peters / James Dillon
- elec ircam Tenebrae for six voices, ensemble and electronics (2012-2013), 28 mn, Durand [program note] / Alberto Posadas
- stage Teorema parable in music, in two acts (1991-1992), 1 h 10 mn, Ricordi / Giorgio Battistelli
- Terrible for voice, three trumpets, electric guitar, electric bass and percussion (1982) / Iris ter Schiphorst
- Textile Nacht for soprano, trombone, percussion, piano and cello (2013-2014), 8 mn, Breitkopf & Härtel / Isabel Mundry
- elec Textures and Shades of E.D. for singer and tape (I & III), for voice, xylophone, timpani, percussion and organ (II) (1975), 10 mn 30 s / Gloria Coates
- elec Thanatoséros for soprano, tenor and ensemble (2010), 26 mn, Suvini Zerboni / Ivan Fedele
- elec The Kempelen machine for "prepared" voice, eight instruments and electromagnetic devices (2015), 20 mn, Ricordi / Mauro Lanza
- elec The Alvin Curran Filharmonia for voice, cello, guitar, percussion, Powerbook, piano and keyboards (2002) / Alvin Curran
- The Apple for contralto voice, 6 cellos, 4 basses and percussion (1998), 4 mn, Schott / Gavin Bryars
- The Beautiful Names for tenor, mixed choir and ensemble (2004), 1 h 10 mn, Chester Music / Sir John Tavener
- stage The Beggar's Opera A Ballad-Opera, by John Gay (1728), from the original composition by John Chistopher Pepusch (1667-1752) (1948), 1 h 45 mn, Boosey & Hawkes / Benjamin Britten
- The Blind Fiddler song cycle for mezzo-soprano and ensemble (1975), 43 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- elec The body electric - Voicings on Walt Whitman I for female voice, clarinet, trombone, viola, percussion and electronics (2013-2014), 23 mn / Georgia Spiropoulos
- elec stage The Boy who lived down the lane I/II 5 scenes in search of an opera, for mezzo-soprano, baritone, seven instruments and electronics (2010-2011, 2012), 20 mn about / Diana Soh
- stage The Burning Fiery Furnace second Parable for church performance (1966), 1 h 4 mn, Faber Music / Benjamin Britten
- stage The Cappemakers opera for ten soloists, two narrators, male chorus and ensemble (1964), 30 mn, Chester Music / Sir John Tavener
- stage The Carmen Case opera for nine singers and ensemble (2022), 1 h 45 mn / Diana Soh
- elec stage The Cave three-act documentary video opera in collaboration with videographer Beryl Korot (1993), 2 h 22 mn, Boosey & Hawkes / Steve Reich
- elec The Cave Four Genesis Settings, for voices, ensemble and sampler (2013), 11 mn, Boosey & Hawkes / Steve Reich
- elec stage The Cenci musical theater after Antonin Artaud (1997), 1 h 20 mn, Ricordi / Giorgio Battistelli
- elec The Church of Frequency & Protein for voice, trumpet, trombone, 2 percussion, piano, guitar, cello and DVD (2010), 52 mn / Jennifer Walshe
- The City Wears a Slouch Hat for narrator and four, five or six percussionists (1942), 36 mn, Peters / John Cage
- the cold for women's choir, synthesizers and percussion (2020) / Arturo Corrales
- stage The Collected Works of Billy the Kid chamber opera in one act (2017-2018), 60 mn, Schott / Gavin Bryars
- elec stage The Comet chamber opera for soprano, contralto, countertenor and ensemble (2024), Peters / George Lewis
- elec The Desert Music chamber version (1984), 46 mn, Boosey & Hawkes [program note] / Steve Reich
- The Distance (This) for soprano and ensemble (2008), Majolika / Jason Eckardt
- The Doctrine of Similarity for choir and instruments (1999-2000), 19 mn, Peters [program note] / Brian Ferneyhough
- The Elements of Style for soprano, tenor and ensemble (2005), 24 mn, St. Rose Music Publishing / Nico Muhly
- elec stage The Embalmer playful chamber monodrama (2001-2002), 1 h 10 mn, Ricordi / Giorgio Battistelli
- stage The Exterminating Angel opera in three acts (2015-2016), 1 h 55 mn, Faber Music / Thomas Adès
- The Faire Starre for choir and ensemble (2018), 20 mn, Chester Music / Nico Muhly
- stage The Fall of the House of Usher opera in two acts for soloists and ensemble (1987), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher