Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?101 works out of 51359
- A Brief History of Witchcraft for flute, vibraphone, cello, piano, 2 trumpets, 5 female voices and improvising rhythm section of bass and drums (2019), 40 mn, Hips Road Edition / John Zorn
- stage anatomy theater for solo voices and ensemble (2016), 1 h 15 mn, Schirmer / David Lang
- Animalie Rapsodia for reader, voices and ensemble (1992), Ricordi / Lucia Ronchetti
- elec stage ANOIA for dancer, actor, seven singers, ensemble and recording (2011-2012), 1 h 20 mn, Edition Juliane Klein / Gordon Kampe
- Après tout for vocal and instrumental ensemble (2012), 45 mn, Ricordi [program note] / Fabien Lévy
- stage Aspern Singspiel in two acts (1978), 1 h 40 mn, Ricordi / Salvatore Sciarrino
- stage Attraverso theatrical action for two mimes, soprano, narrator and six performers (1990), 12 mn, Suvini Zerboni / Alessandro Solbiati
- elec stage Aufenthalt oratorio in six tableaux for soprano, tenor, 2 narrators (man and woman) and ensemble with magnetic tape (1992-1993), 18 mn, Ricordi / Olga Neuwirth
- Brigitte F. for narrator, seven singers and nine instruments (1978), 37 mn / Hans Wüthrich
- elec stage Camille chamber opera (2006), 22 mn / Stefan Keller
- elec ircam Cantate égale pays for solo voices, ensemble and electronics (2007-2010), 55 mn, Lemoine [program note] / Gérard Pesson
- elec Canto III for soprano, tenor, baritone, ensemble and live electronics (1968), 16 mn, Boosey & Hawkes / Hans Zender
- Cinq sonnets de Louise Labé for soprano, countertenor and 7 musicians (1971-1973), 20 mn, Amphion / Jacques Lenot
- Circus Days and Nights for voices and small ensemble (2020), Dunvagen Music Publishers / Philip Glass
- Contro il principio di inerzia for tenor and bass, trumpet and trombone, violin and viola (2009), 8 mn, Inédit / Giovanni Bertelli
- stage Das Leben am Rande der Milchstraße a sitcom opera in seven episodes (2014), 2 h 20 mn, Peters / Bernhard Gander
- stage Diàlegs de Tirant e Carmesina for soprano, mezzo-soprano, baritone and small ensemble (2019), 1 h 20 mn / Joan Magrané Figuera
- elec stage Die Erprobung des Petrus Hebraïcus three-act chamber musical theater (1974), 3 h, Suvini Zerboni / Henri Pousseur
- elec stage Don Juan à Gnide ou les séductions de la chasteté - Répons III musical theater, for one actor, soprano, baritone, five instruments and light projections (1996), 60 mn / Henri Pousseur
- stage Down by the Greenwood Side A Dramatic Pastoral (1968-1969), 30 mn, Universal Edition / Sir Harrison Birtwistle
- Drei Lieder über den Schnee for soprano, baritone and eight instruments (1989), 5 mn, Schott / Hans Werner Henze
- Duets from Doctor Ox’s Experiment for soprano, counter-tenor and ensemble (1998), 37 mn / Gavin Bryars
- stage El canto quiere ser luz theatrical action for soprano, tenor, baritone, narrator, two mimes and nine instruments (1994), 30 mn, Suvini Zerboni / Alessandro Solbiati
- El dilema for soprano, countertenor and ensemble (2020-2022), 20 mn / José Río‑Pareja
- El Mar la mar for soprano, mezzo-soprano and seven instruments (1952-1969), 12 mn, Universal Edition / Luciano Berio
- El Rey de Harlem imaginary theater I, for mezzo-soprano and ensemble (1979-1980), 30 mn, Schott / Hans Werner Henze
- Ferdinand's Comfort for soprano, baritone and quintet (2004), Chester Music / Kaija Saariaho
- elec Fontana Mix DS after Fontana Mix by John Cage, for two voices, three instrumentalists and tape (2002), 10 mn, Schott / Dieter Schnebel
- stage Forever Valley opera for 7 singers, actress and 6 instruments (1999-2000), 1 h 11 mn, Lemoine / Gérard Pesson
- elec Fragments d'autre binaural installation for two actors, 4 saxhorns, piano, harp, violin, percussion and electronic sounds (2021) / Aurélien Dumont
- elec stage FRAME transmedia musical theater (2018-2020), 1 h 15 mn / Malte Giesen
- Grammaire des rêves for two voices and ensemble (1988), 11 mn, Wilhelm Hansen [program note] / Kaija Saariaho
- Hekabe-beta for soprano, contralto, countertenor and ensemble (2005-2011), 4 mn, édition du compositeur / Richard Barrett
- stage Herr Reinecke Fuchs music for a play by Heinrich Anton for voice(s) and ensemble (1931), Inédit / Ernst Krenek
- stage Ich will lächeln, lächeln, lächeln pocket opera for two female and two male singers and ensemble (2019-2020), 20 mn, Edition Juliane Klein / Gordon Kampe
- elec stage Immer noch Loge music theatre for three voices, ensemble and recording (2021), 60 mn, Edition Juliane Klein / Gordon Kampe
- In late late night I thank Cage for soprano, alto, two alto flutes, harp, viola and cello (2014), 3 mn, édition du compositeur / Christian Mason
- elec Jardins Partagés I – À contre-allée for alto flute, Bb and bass clarinets, violin, cello, double bass, soprano, mezzo-soprano, tenor, baritone, bass and electronics (2019), 21 mn, Inédit / Pierre-Yves Macé
- Kantrimiusik Pastoral for voices and instruments (1973-1975), 48 mn, Universal Edition / Mauricio Kagel
- elec stage Kopernikus : Rituel de la mort opera in two acts, for seven singers, seven or eight instrumentalists and tape (1979), 1 h 10 mn, Boosey & Hawkes [program note] / Claude Vivier
- elec stage Körperliche Veränderungen musical theater piece based on the radio play by Elfriede Jelinek Ballade von drei wichtigen Männern sowie dem Personenkreis um sie herum (1990-1991), 28 mn, édition du compositeur / Olga Neuwirth
- elec ircam stage L'annonce faite à Marie opera in four acts and one prologue (2019-2022), 2 h 20 mn / Philippe Leroux
- elec ircam stage La Frontière chamber opera in four tableaux, for six singers, nine instrumentalists and live electronics (2003), 1 h 45 mn, Durand / Philippe Manoury
- La Libertad total for two actors, four singers and eight musicians (2013), between 60 mn and 1 h 30 mn, BabelScores / Lucas Fagin
- La Vie-...ulcérant(e) for two countertenors and instrumental ensemble (1995), 11 mn, Ricordi [program note] / Olga Neuwirth
- Lauda 40 “Madonna Santa Maria” for four voices and four instruments (2011) / Gavin Bryars
- Lauda 41 “De la crudel morte de Cristo” lauda for soprano, tenor, electric guitar, viola, cello and bass (2011) / Gavin Bryars
- Lauda 42 lauda for soprano, tenor, electric guitar, viola, cello, double bass (2012) / Gavin Bryars
- stage Le Gendarme incompris lyrical comedy in one act, for three solo voices and instrumental ensemble (1920-1921), 30 mn, Salabert / Francis Poulenc
- Le Ha Ha Platonique for baritone, mezzo-soprano, viola, electric guitar, cello, piano and double bass (2018), 10 mn / Gavin Bryars