Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?227 works out of 51359
- stage Jakob Lenz chamber opera (1977-1978), 1 h 15 mn, Universal Edition / Wolfgang Rihm
- stage Je vous dis que je suis mort opera, for seven solo voices and ensemble (1978-1979), 46 mn, Salabert / Georges Aperghis
- Jephte instrumentation of the oratorio by Carissimi (1650) (1976), 30 mn, Schott / Hans Werner Henze
- Kamex ch’ab for four male voices and string quartet (2010), 24 mn, University of York Music Press [program note] / Hilda Paredes
- Kantrimiusik Pastoral for voices and instruments (1973-1975), 48 mn, Universal Edition / Mauricio Kagel
- Kindheit for tenor, soprano, bass, trumpet, basset horn, trombone, dancer and magnetic tapes (1979), 29 mn, Stockhausen Verlag / Karlheinz Stockhausen
- stage King Lear chamber opera for four voices, narrator, string quartet and percussion (2006-2010), 2 h, édition du compositeur / François Sarhan
- King's Message for tenor and four instruments (2007), 10 mn, Peters / Bernhard Gander
- stage Knastgesänge three pieces of musical theater, for puppeteer, singers and instrumentalists (1984-1995), 1 h 10 mn, Schott / Hans Werner Henze
- elec stage Kopernikus : Rituel de la mort opera in two acts, for seven singers, seven or eight instrumentalists and tape (1979), 1 h 10 mn, Boosey & Hawkes [program note] / Claude Vivier
- elec stage Körperliche Veränderungen musical theater piece based on the radio play by Elfriede Jelinek Ballade von drei wichtigen Männern sowie dem Personenkreis um sie herum (1990-1991), 28 mn, édition du compositeur / Olga Neuwirth
- Kyrie for choir and seven instrumentalists (2010), 8 mn 45 s, Suvini Zerboni [program note] / Maurilio Cacciatore
- stage L'arbre qui parle Contes nocturnes, chamber opera in five scenes (2000-2001) / Yassen Vodenitcharov
- stage La confession impudique chamber opera (1986-1988, 1990-1992), 2 h 10 mn, Éditions de l'Agité / Bernard Cavanna
- stage La Cubana oder Ein Leben für die Kunst vaudeville in five tableaux (1973), 1 h 30 mn, Schott / Hans Werner Henze
- La guerre des paysans harmonization of popular song, for tenor and sextet (), Inédit / Serge Nigg
- La mort du Nombre for soprano, tenor, violin and piano (1930), 12 mn, Durand / Olivier Messiaen
- Lamentationes Sacrae et Profanae ad Responsoria Iesualdi for 6 singers and 2 instrumentalists (1993-1997), 46 mn, Ricordi / Klaus Huber
- Le Chevalier imaginaire opera in a prologue and two acts (2005, 1984-1986), 1 h 35 mn, Ricordi [program note] / Philippe Fénelon
- stage Le Couchant interlude for three singers and five instrumentalists (1990), 5 mn, Inédit [program note] / Gérard Pesson
- le jardin d'hiver for solo tenor, twelve mixed voices and twelve instrumentalists (1991), 35 mn, Amphion [program note] / Philippe Fénelon
- elec ircam Le Pacte des onze five stanzas for soprano, two tenors, bass, ensemble and magnetic tape (1984), 34 mn, Theodore Presser / Michel Tabachnik
- elec stage Le procès du jeune Chien three-act chamber musical theater (1974-1978), 3 h, Suvini Zerboni / Henri Pousseur
- elec ircam Le voyage monodrama for an actor, six solo voices, four instrumentalists and electronics (2011-2012), 27 mn, Universal Edition [program note] / Johannes Maria Staud
- stage Les Enfants Terribles opera dance for soloists, ensemble and dancers (1996), 1 h 35 mn, Dunvagen Music Publishers / Philip Glass
- stage Les Noces four Russian choreographic scenes with song and music (1914-1917, 1919-1923), 25 mn, Chester Music [program note] / Igor Stravinsky
- elec stage Licht-Bilder for tenor, flute, trumpet, synthesizer and electronics (2002), 45 mn, Stockhausen Verlag / Karlheinz Stockhausen
- Liebesgedichte for vocal quartet and ensemble (1975), 28 mn, Boosey & Hawkes [program note] / Claude Vivier
- Lied for tenor and 2 percussionists (2000), 5 mn, Universal Edition [program note] / Georg Friedrich Haas
- Lob der Torheit Burlesque cantata for coloratura soprano, cantor (tenor), bass, mixed choir and ensemble (2nd version) (1959), 28 mn, Schott / Bernd Alois Zimmermann
- stage Luci mie traditrici opera in two acts (1996-1998), 1 h 15 mn about , Ricordi / Salvatore Sciarrino
- Ma fin est mon commencement Mon commencement est ma fin for soloists and ensemble (1999), 6 mn, Boosey & Hawkes / Unsuk Chin
- stage Macbeth tre atti senza nome (2002), 1 h 45 mn, Ricordi / Salvatore Sciarrino
- Madrigal melodies for four voices and four instruments on poems by Max Jacob (1963), 11 mn, Boosey & Hawkes / André Jolivet
- elec Make No Noise chamber opera on a film by Isabel Coixet, for solo voices and ensemble (2011), 1 h 35 mn, Bärenreiter / Miroslav Srnka
- elec stage Mambo Opera (1989-2001), 2 h, Inédit / Javier Alvarez
- elec Matra cantata (2007), 60 mn, Inédit [program note] / Oscar Bianchi
- stage Melancholia Opera in three parts (2006-2007), 1 h 30 mn, Universal Edition [program note] / Georg Friedrich Haas
- Melodramma from Opera, for tenor and instruments (1970), 15 mn, Universal Edition / Luciano Berio
- Messe, un jour ordinaire for solo voices, choir and ensemble (1993-1994, 1996), 30 mn, Éditions de l'Agité [program note] / Bernard Cavanna
- Minotaurus, Dreaming for soprano, haute-contre, and two groups of instruments (2002), 25 mn, Editions Musicales Européennes / Aureliano Cattaneo
- Miserere for solo voices, choir, ensemble and organ (1989-1992, 1989), between 30 mn and 35 mn, Universal Edition / Arvo Pärt
- Miserere hominibus... for 7 solo voices and 7 instruments (2005-2006), 50 mn, Ricordi / Klaus Huber
- Mitternachtsstük for voices, speaking choir and instruments (1980), 34 mn, Peters / Mauricio Kagel
- elec stage Mondeva for tenor and basset horn and ad libitum: soprano, bass, trombone, mime, electric organ or synthesizer and two magnetic tapes (1978-1979), 13 mn, Stockhausen Verlag / Karlheinz Stockhausen
- Music to hear for seven mixed voices and five instruments (2000), 16 mn, Lemoine / Régis Campo
- N.N for six solo voices and six percussions (2008), 60 mn, Rai Trade / Francesco Filidei
- stage Nacht Chamber opera in 24 tableaux (1995-1998), 1 h 15 mn, Universal Edition / Georg Friedrich Haas
- Nachtwach for eight voices, SATB mixed choir, four trombones and a woodblock played by the conductor (1987-1988), 12 mn, Universal Edition / Wolfgang Rihm
- stage Nonsense Opera puppet theater for three singers and seventeen instrumentalists (2001), 15 mn, Lemoine / Régis Campo