Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?3990 works out of 51359
- elec Versions/Stages I-IV for electronics (1986-1991), 25 mn, Peters [program note] / Roger Reynolds
- elec Vertigo for electronics (1985), between 16 mn 50 s and 19 mn 30 s, Peters / Roger Reynolds
- elec Vesper (2005), 6 h, Taiga Press / John Luther Adams
- elec Vespers for echolocation modules (1968), Material Press / Alvin Lucier
- elec Via Aerea Electroacoustic music for the film of the same name (2000), 5 mn / Ricardo Nillni
- Via Dolorosa Electroacoustic music for the video of the same name (2015) / Ricardo Nillni
- elec Vib's electronic music for picture (1976) [program note] / Bernard Parmegiani
- elec Vibes sound installation for 5 vibes and processing (2012) / Jean-François Laporte
- elec Vibrances atonales sound installation (2016) / Zad Moultaka
- elec Vibrations Composées for tape (1973), 36 mn, pas d'éditeur / François Bayle
- elec Vice-Versa, etc... music for sounds fixed on a medium (feedback on magnetic tapes) (1970), variable / Éliane Radigue
- elec Vicolo del divino amore acousmatic music (2004), 2 mn 26 s / Benjamin de la Fuente
- elec Video III (1968) / David Tudor
- elec Video/Laser I (1969) / David Tudor
- Video/Laser II (1970) / David Tudor
- elec Viejas Historias for fixed sounds, music for a choreography by Rossana Filomarino (1998), 60 mn, Inédit / Ana Lara
- elec Vier Räume for electronics (2003), 20 mn, Wandelweiser / Jürg Frey
- elec Vingt-quatre aphorismes for recorded sounds (2021), 24 mn 24 s, Inédit / François-Bernard Mâche
- elec Violettes gras for tape (1989-1993), 53 mn / Wolfgang Mitterer
- elec Virtual Focus for live electronics (1990), 29 mn / David Tudor
- stage Virus stage music for the play (1997) / Olga Neuwirth
- elec Viruskonferenz radio play (1996) / Wolfgang Mitterer
- elec Visage for magnetic tape with the recorded voice of Cathy Berberian (1960-1961), 22 mn, Universal Edition / Luciano Berio
- elec Visage V musique concrète (1958-1959), 10 mn 33 s / Luc Ferrari
- elec Visioni for 23 speakers (2013), between 25 mn and 48 mn / Daniele Ghisi
- elec Viva la Selva! (1999), 17 mn 30 s / Natasha Barrett
- elec Vivencias for tape (2001), 11 mn 35 s / Béatriz Ferreyra
- elec stage Vivir mata music for the film by Nicolás Echevarría (2002) / Mario Lavista
- elec Vocalises (1952), 3 mn, pas d'éditeur / Pierre Henry
- elec Vocalism A·I for tape (1956), 4 mn 5 s / Tōru Takemitsu
- elec Vocalscapes on Walt Whitman for electronics (2014), 14 mn / Georgia Spiropoulos
- elec ircam Vocatifs sound installation (1994), 10 mn, Inédit / Cécile Le Prado
- elec stage Vocazione all'Asimmetria electroacoustic composition for a choreography by Francesca Foscarini (2016) / Andrea Cera
- elec Voice Space six-track interactive sound installation (2007) / Oliver Schneller
- elec Voiceless Essays for four computer-generated tapes (1985-1987), 16 mn 49 s / John Cage
- elec Voiles vitrés electroacoustic piece (2012) / Ariadna Alsina Tarrés
- elec Voir l'invisible music from the film by Jean-Claude Sée, composed and played by Pierre Henry on prepared instruments (1949), Inédit / Pierre Henry
- elec Voix et Vues planétaires multimedia music (2003-2004) / Henri Pousseur
- elec Voix off' concert music for acousmonium (2005), 1 h 31 mn 2 s, Opus 53 / Denis Dufour
- elec Voix-ci, voix-là individual and recorded vocal work carried out with a hundred children from 3 to 5 years old, resulting in a creation on tape (1986) / Nicolas Frize
- elec Vol d'arondes for 8-channel medium (1999, 2001), 11 mn 25 s / Francis Dhomont
- elec Volare choreographic music for digital audio support (1987), 28 mn / Michel Redolfi
- elec Volière for recorded sounds (2020), 9 mn 56 s, Inédit / François-Bernard Mâche
- elec Volvelle 1 (2015), 20 mn 34 s / Natasha Barrett
- elec Volver concert music for acousmonium (2012), 6 mn 30 s, Opus 53 / Denis Dufour
- elec VON DEN SIEBEN PLAGEN for electronics (2008), 7 mn / Lisa Streich
- elec stage Vorstufe performance for 3 dancers and diffusion system 4.1 (2011) / Daniel Zea Gómez
- elec VOX Electroacoustic music for the film of the same name (2004), 5 mn / Ricardo Nillni
- elec stage Vox in Vitro black opera for multi-track digital audio support and acoustic devices (2000), 47 mn / Michel Redolfi
- elec ircam Vox-5 for tape (1986-1987), 6 mn, Inédit / Trevor Wishart