Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?3990 works out of 51359
- elec Panique au bord de l'eau concert music for acousmonium (2001), 6 mn 5 s, Opus 53 / Denis Dufour
- elec Panoptique sound and video installation (2000), Grame / Pierre-Alain Jaffrennou
- elec ircam Panorama for magnetic tape (1985), 3 mn, Faber Music / George Benjamin
- elec Paperweight Arcade solo live electronics (2014), 10 mn / Juliana Hodkinson
- elec Papirolas Electroacoustic music for the film of the same name (2012), 5 mn / Ricardo Nillni
- elec Par les grèves remix of 'Prélude à l'après midi d'un faune' by Claude Debussy (2001), 6 mn, pas d'éditeur / Pierre Henry
- elec Paraboles-Mix electronic music (1972), variable / Henri Pousseur
- elec Paraboles-Mix avec Leçons d'Enfer - Paraboles-Mix mit Höllenlektionen electronic music (1999), 1 h 20 mn / Henri Pousseur
- elec Paradis electronic music for film (1974), 22 mn [program note] / François Bayle
- elec stage Paradis perdu chaotic and ritualistic spectacle after Milton (1982), 2 h 2 mn, pas d'éditeur / Pierre Henry
- elec Paradise Lost with the collaboration of Gilbert Artman and the Urban Sax group (1983), 47 mn, pas d'éditeur / Pierre Henry
- elec Parallel Music electronic music (1962), Peters / Toshi Ichiyanagi
- elec Paralogismes electroacoustic music (1999), 6 mn, Inédit / Georgia Spiropoulos
- Paraphrase en pente douce sur «Le Hareng Saur» de Charles Cros radio play (1984), 12 mn, pas d'éditeur / Denys Bouliane
- elec Parcours-Cosmogonie thematic and unprecedented structuring in 12 concerts of Pierre Henry's repertoire (1976), 19 h, pas d'éditeur / Pierre Henry
- elec Paréntesis multichannel sound installation (2013) / Luis Naón
- elec stage Parete Nord electronic composition for contemporary dance (2018) / Lorenzo Bianchi Hoesch
- elec Paris, Gare du Nord electroacoustic music (2017), 16 mn / Elżbieta Sikora
- elec Paris-Stockholm improvisation on tape from recorded vocal poetry (1968), 11 mn 42 s / François Dufrêne
- elec Paris-Stockholm II improvisation on tape from recorded vocal poetry (1972) / François Dufrêne
- elec Paroles sur écoute acousmatic music (2003) / Frédéric Kahn
- elec Participle Dangling in Honor of Gertrude Stein for mobile, film and 2 tracks tape (1966) / Pauline Oliveros
- elec Partitions (ou AIMTR) music for interactive and generative installation (1996) / Jacopo Baboni Schilingi
- elec ircam Pas à pas for tape and spatialization device (1981), 45 mn, Feedback Studio Verlag / Rolf Gehlhaar
- elec Pas de 3... ou plus for tape (2010, 2009), 8 mn 45 s / Béatriz Ferreyra
- elec Passacaglia electroacoustic music (1960), 4 mn 28 s / Daphne Oram
- elec Passacaille pour un lutin choreographic music (1985) / Béatriz Ferreyra
- elec ircam Passage sound installation (2009), Inédit [program note] / Pierre Jodlowski
- elec Passage Almut Determeyer's video soundtrack (2004), 4 mn / Oliver Schneller
- elec Passage 10: "Musings on “Good Lives”: Relationships, Sustenance, Aspirations – Truth, Secrets, Boundaries, Purpose, Flight" (2013-2014), 58 mn 53 s / Roger Reynolds
- elec PASSAGE 2: "Benediction, Sharing, Legacy, Public Exposure, Seasons, The Sublime" performance (2010) / Roger Reynolds
- elec PASSAGE 3: "Going First Class, Perilous Consideration, Subconscious Craft, Anotherworldly Intersection, Unnatural Experience, The Source of Force, Memorability, Differences" performance (2010) / Roger Reynolds
- elec PASSAGE 4: "Alliances, Understanding the Context, Benediction, Sharing, Collaboration, Loyalty, Memorability, Mission" performance (2010) / Roger Reynolds
- elec PASSAGE 7: "John Cage – incidents, texts, conversations, and music" performance (2012) / Roger Reynolds
- elec PASSAGE 8: "On Learning, Varèse, Cage, Ashley, Musical Experience, and Intermedia" performance (2012) / Roger Reynolds
- elec PASSAGE 9: "Collaboration, Xenakis, Cage, Takemitsu, the Sublime, and Aesthetic Experience" performance (2012-2013), 1 h 30 mn / Roger Reynolds
- elec Passage pour mimes concrete music for the theater (1959) / Luc Ferrari
- elec Passagenweg for stereo tape (2005-2007), 1 h 14 mn / Pierre-Yves Macé
- elec Passagenweg (altérations) performance for computer, 2 record players and 8 speakers (2010), 20 mn / Pierre-Yves Macé
- elec Passages music video (2009), 8 mn 26 s / Francis Dhomont
- Passe temps music for the film by Jose Maria Bersoza (1984) / Henry Fourès
- elec Passeggiata sound installation for eight to fourteen speakers (2010), 35 mn / David Hudry
- elec Passion selon Kijno electroacoustic radiophonic piece (1987), 2 h / Elżbieta Sikora
- elec stage Passion, Poison and Petrifaction music for the play by George Bernard Shaw (1961) / Mario Lavista
- elec stage pas_de_direction sound installation and electronic music for a choreography by François Raffinot (2003), 45 mn, Inédit / François Sarhan
- elec Patamorphoses electronic music for film (1960), 15 mn 54 s / Bernard Parmegiani
- Patience electroacoustic music (1969), partition retirée du catalogue / Jon Appleton
- elec Paysage, personnage, nuage for tape (1980), 24 mn / François Bayle
- elec Peau Rouge for tape (2015) / Núria Giménez-Comas
- elec Peel for tape (2016), 8 mn 30 s / Stefan Prins