Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?3990 works out of 51359
- elec Las Pintas real-time audiovisual work for two generative systems, one dedicated to sound and the other to image guided in real time by two performers (2019) / José-Miguel Fernández
- Lascaux Urbaine (Urbana 2.A) for multichannel support (5.1) (2004), 43 mn 37 s / Luis Naón
- elec Laser Bird (1973) / David Tudor
- elec Laser Rock (1973) / David Tudor
- elec stage Lauter Termin for tape (1993), 1 mn 38 s / Wolfgang Mitterer
- elec Lavando Perlas (Pearl Dance) for toothbrush, musician-dancer and electronics (2012) [program note] / Daniel Zea Gómez
- elec Layering Buddha (2006), 58 mn / Robert Henke
- elec Layers for many smartphones and/or other video playback devices (2017), between 5 mn and 15 mn / James Alexandropoulos-McEwan
- elec Laznia solo live electronics (2014), 4 mn / Juliana Hodkinson
- stage Le Bagne, de Genet for magnetic tapes (1996), Inédit / Luis Naón
- stage Le Bagne, de Genet for magnetic tapes (1996), Inédit / Luis Naón
- elec ircam Le bonheur music for the film by Alexander Medvedkine (USSR, 1934) (2010), 1 h 4 mn, Inédit [program note] / Sébastien Gaxie
- elec Le bruissement de l'aile de Gabriel acousmatic music (2013) / Sina Fallahzadeh
- elec Le canard à l'orange soundtrack for the film by Patrick Bokanowski (2002), 9 mn / Michèle Bokanowski
- elec Le Cercle - Voyage au-delà du temps et des sens acousmatic music/diptych with images by Robert Cahen (2012), 10 mn 30 s / Frédéric Kahn
- Le CERN (1968) / Bernard Parmegiani
- elec Le chant d'Enoch for theremin, pre-recorded theremin and electronic sounds (2005) / Kasper T. Toeplitz
- elec Le chant des machines for electronic instrument (2014), 22 mn / Jean-François Laporte
- elec Le Cinéma Émotif electroacoustic device for Marie-Laure Cazin's Le Cinéma Émotif, an interactive cinema prototype in which brain waves modify the music in real time (2014) / Andrea Cera
- Le Combat dans l’Ile music for Alain Cavalier's film (), Inédit / Serge Nigg
- Le Crépuscule de Yang Koueï-Fei music for the radio play by Louise Fauré (1957), Inédit / Pierre Boulez
- elec Le cri du Choucas for stereo medium (2014-2015), 1 h 10 mn 19 s / Francis Dhomont
- elec stage Le cycle des nuits music for a play based on a text by Alfred de Musset (2009) / Andrea Cera
- stage Le Décaméron music for the play after Boccaccio, directed by Jean Boillot (1998), Inédit / Régis Campo
- elec Le dernier voyage de Lapérouse for digital audio support (2006), 60 mn / Michel Redolfi
- elec Le dictionnaire de Joachim electronic music for picture (1965), 8 mn / Bernard Parmegiani
- elec Le fil de la vie (2012) / Pierre Henry
- elec Le flux des sons for stereo medium (2010), 5 mn 44 s / Francis Dhomont
- elec Le Freischütz (Die Wolfsschlucht) for electronics (1989-1990), 20 mn [program note] / Luc Ferrari
- elec ircam Le grand dehors for a dancer and live musical performance (2006), 35 mn, édition du compositeur [program note] / Pierre Jodlowski
- Le jardin est vivant avec le bruit sound system for autonomous noise machines (2020) / Marisol Jiménez
- elec Le joyeux Sisyphe improvisation on tape from recorded vocal poetry (1976), 7 mn 30 s / François Dufrêne
- elec Le joyeux Sisyphe II improvisation on tape from recorded vocal poetry (1979), 6 mn 20 s / François Dufrêne
- elec Le Labyrinthe de l'amour /1 concert music for acousmonium (1984), 3 mn 35 s, Opus 53 / Denis Dufour
- elec Le lièvre for electronics (1969) / Bernard Parmegiani
- elec Le Lis vert concert music for acousmonium (1983), 37 mn, Opus 53 / Denis Dufour
- elec ircam Le Livre des Morts égyptien tape for film (1988), 1 h 6 mn, Inédit [program note] / Pierre Henry
- elec Le Mal qui foudroie en plein Bonheur Electroacoustic music for the video film of the same name (1997), 6 mn / Ricardo Nillni
- elec Le mariage de M. Mississippi stage music (1961) / Bernard Parmegiani
- elec ircam Le Messager interactive installation with video and electoacoustic music (1994), variable, Inédit / Jean-Baptiste Barrière
- stage Le miroir des jours stage music (1979) / Henry Fourès
- elec Le Partage des Flots electroacoustic piece (2012), 12 mn 40 s, Inédit / François-Bernard Mâche
- elec Le Pas electronic music for picture (1975), 7 mn 5 s [program note] / Bernard Parmegiani
- Le petit mort performance with John Campion (1997), Inédit / Edmund Campion
- elec Le petit oiseau va sortir concert music for acousmonium (1997), 14 mn, Opus 53 / Denis Dufour
- elec Le Présent composé concert music for electronics (1991), 24 mn [program note] / Bernard Parmegiani
- elec ircam stage Le Privilège des chemins vocal transformations, effects and sound environments for the play by Fernando Pessoa (2004), 2 h 10 mn / Romain Kronenberg
- elec Le promeneur solitaire Electroacoustic self-portrait (2010), 7 mn 23 s, Inédit / François-Bernard Mâche
- elec Le puits et le pendule electronic music for picture (1964) / Bernard Parmegiani
- elec Le Récit music fixed on media with contralto and Siamese mouth-resonated string bow (1970), 10 mn / Béatriz Ferreyra